Anamnesis explores the supposed notion that habit is informed by a previous existence and collective shared experience. It is believed by many sacred teachings that this knowledge is stored in the Landscape, lending a sense of divinity and sacred to mundane physical objects.
This concept is playfully extracted and built on in Kinn’s productions, which exist in a unique sonic world of their own by informing a subjective meaning in each sound, motif and movement, creating a narrative which can only be felt out by the listener as they descend into the thick darkness. The artwork too holds an insight into Kinn’s personal exploration of spirituality. A trip to Scotland in 2017 involving a covert mission into the famed Boleskin House (the home of Aleister Crowley, which mysteriously burnt down in 2015) further sparked their imagination, as they walked around the dilapidated wreckage the bedroom window (as seen) became sculptural in its form, what has this window witnessed? What secrets does it hold? A voice felt but without sound called out, the voice beckoned “Remember”.
"Really great work...production is on point and the tracks are good too" - James Kelly (Tri-Angle, Profound Lore)
“Evocative" - Mark Leckey (Warp, Turner Prize 2008)
"It's a really great record, great concept and I learned a lot from how your arrangements unfold, really clever composition" - Fis (Tri-Angle, Subtext)
“A maelstrom of dark and disparate clouds pricked by tiny gaps of light and humour. Perfect atmosphere.” - Skinny Pelembe (Blue Note, Brownswood)
“It’s really well put together” - Rory Bowens (NTS)